A new bible has accustomed in bookstores. Well, that’s how it feels, anyway, for appearance tune-loving acolytes of the Broadway composer, Stephen Sondheim. He holds alternating on his career in an amazing new memoir, “Finishing the Hat” – one of the best arresting volumes in years on the ability of autograph and the beforehand of a activity in the agreeable theater.
“Finishing the Hat” is chapter No. 1 of that activity – Sondheim’s Old Testament, if you will-spanning the aeon amid 1954 and 1981, aback he was the artisan for “West Side Story” and “Gypsy,” and composer-lyricist for a abstract cord of added shows, from “A Funny Thing Happened on the Way to the Forum” and “Company” to “Follies” and “Sweeney Todd.”
The book takes as its prime focus Sondheim’s lyrics, which as his admirers apperceive are as sophisticated, subtle, funny and absolute as any anytime created for the theater. (Sample, from “You Could Drive a Person Crazy”: “When a person’s personality is personable/He shouldn’t oughta sit like a lump/It’s harder than a matador coercin’ a bull/To try to get you off of your rump.”) One of the pleasures actuality is arresting the songwriter’s rules – Sondheim’s Commandments – for the autograph of a lyric. He’s at the aforementioned time awfully adroit and a austere constructionist, a close accepter in advancement
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